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    Daniel Brühl | Clothes on Film

    Netflix have released a short featurette about costume design for The Alienist, giving an overall glimpse at the work of Michael Kaplan and his team in putting together the era of 1896, New York. What is enticing about The Alienist, apart from the fact that it’s brilliant whodunit telly, is that it is set outside of England, which is so often the preserve of dramas such as these. This is NY style at a point in history when those with money were about to get a whole lot more. Expensive, in other words, and if you had deep enough pockets your taste in fashion would echo this. Check out the…

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    Why Clothes on Film has been so Quiet Recently | Clothes on Film – Part 35303

    Note from the Editor: You may have noticed that Clothes on Film has not been updated as frequently recently. We’ve had some excellent analysis and a few strong interviews, but in general content has been considerably lighter than usual. Well there is a reason for this… I have recently signed my first publishing deal to produce a book about, unsurprisingly, clothes in film. Specifically this will be a book about fashion in film. Apologies if this reads a tad vague; I promise more details will follow in the coming months. I will say now, however, that it is not just another tome describing pretty dresses or sharp suits in movies,…

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    Legend | Clothes on Film

    Director Brian Helgeland’s Legend (2015) tells the based-on true story of Ronald and Reggie Kray: twins (both played by Tom Hardy), East End boys, racketeers, murderers, icons. The Krays were shaped during the 1960s, a post World War II boom for England. They came to symbolise the smartly dressed gangster for a new youth-orientated generation. They had money and they wanted to flaunt it – and that meant suits and a lot of jewellery. Costume designer for Legend, Caroline Harris, boasting over 20 years experience in both film and television with credits such as Mr Nice (2010), Red Riding (2009) and Fleming (2014), here chats exclusively to Clothes on Film……

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    Superqueen | Clothes on Film

    Happy New Year everyone! Life Without Zoe, The Canyons Two well researched and well written posts by Superqueen. This site is always worth a scoot around. 12 Years a Slave Costume Designer Patricia Norris is 82 years young. Cancel your retirement. The Most Iconic Costumes of all Time Marilyn’s dress in The Seven Year Itch? No, frankly. Ellen Mirojnick The Costume Cafe podcast with a lady we adore here at Clothes on Film. Inside Llewyn Davis Frocktalk reviews the extraordinary ‘sweaterville’ work of Mary Zophres for the Coens’ latest. Michael Wilkinson For Guise magazine, Joe Kucharski chats to Michael Wilkinson about digital illustration in costume design. Big Screen Style Moments…

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    The Costume Cafe Podcast | Clothes on Film

    Happy New Year everyone! Life Without Zoe, The Canyons Two well researched and well written posts by Superqueen. This site is always worth a scoot around. 12 Years a Slave Costume Designer Patricia Norris is 82 years young. Cancel your retirement. The Most Iconic Costumes of all Time Marilyn’s dress in The Seven Year Itch? No, frankly. Ellen Mirojnick The Costume Cafe podcast with a lady we adore here at Clothes on Film. Inside Llewyn Davis Frocktalk reviews the extraordinary ‘sweaterville’ work of Mary Zophres for the Coens’ latest. Michael Wilkinson For Guise magazine, Joe Kucharski chats to Michael Wilkinson about digital illustration in costume design. Big Screen Style Moments…

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    Begbie | Clothes on Film

    MINOR SPOILERS Like any film with an extended period of time between the original and sequel(s), T2: Trainspotting (2017) is required to form an immediate connection with its audience. Twenty years have passed, yet we must feel accustomed to this world. For every element of change, something else must remain the same. We take comfort in what we know; it allows us to enjoy the new without fear of the unknown. If T2 had been released a couple of years after Trainspotting (1996), it could potentially have been set in Benidorm. Transplanting our anti-heroes from Scotland to Spain is fine when they are fresh in our conscious mind, but twenty…

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    mac | Clothes on Film

    Two-part BBC drama The 7.39 could have been your average ‘man meets woman and has an affair’ tale. However, the overall verdict has been one of admiration at not only the amazing acting from its star players but also the script, which took the audience on an emotional rollercoaster throughout its glorious two hours. But again, often overlooked is the costume, in this case contemporary. The story of the female lead, Sally Thorn, played by Sheridan Smith with a wonderful naturalness, is particularly clearly told through what she wears (costume design by Lucinda Wright). Carl Matthews (believably played by David Morrissey) is stuck in a rut. Tired of his job,……