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    Brian de Palma's Passion: Costume as Contemporary Hitchcock | Clothes on Film – Part 35434

    Director Brian De Palma has made movies heavily influenced by Alfred Hitchcock before, but Passion (2012) is the first one whose characters look like they stepped out of one of Hitchcock’s classic films. Karen Muller-Serreau’s bold and colourful costumes communicate the characters’ hidden desires and make watching Passion a sensory experience. This melodrama centres on two ad executives, Isabelle (Noomi Rapace) and her boss Christine (Rachel McAdams), who have a deadline to come up with an ad campaign for a new smartphone. In her sleep, Isabelle thinks of a great idea. Dirk (Paul Anderson) in typical pinstriped suit with Isabelle (Noomi Rapace) in even more typical black. The two other…

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    Black Caesar: Blaxploitation Gangster | Clothes on Film – Part 31932

    The gangster genre’s central protagonist (antagonist?) is conspicuous in his journey from street kid to street king by coveting the finest fabrics and tailoring that money can buy. He becomes a vain, petty man destroyed by inability to reconcile his old simpler world with the politics of his new one. It is no accident that most of the principal characters in gangster films are minorities, symbolising a detachment from society and upending of the American dream. He/she can be as rich and powerful as he/she wants, but for those born on the wrong side of the tracks (i.e. minorities, if conforming to the genre model), the only way to fulfil…

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    About Time to Dress Upper Middle Class | Clothes on Film – Part 35056

    SPOILERS Despite all the hoo-ha over films such as Blue Jasmine and Stoker contemporary is still pretty much overlooked as a form of costume design. If it’s invisible, well, nobody notices it, and if it’s designer it becomes all about ‘the fashion’ (OMG TOTES WANT THOSE SHOES). We are currently in an age when costume design means period and sci-fi. It comes to the extent that if a costumer wants to tell a story through contemporary attire, he/she needs either a director with a key grasp of semiotics, or one that doesn’t care less about semiotics and offers a degree of autonomy. Watching About Time we presume that Richard Curtis…

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    Dress like a Peaky Blinder | Clothes on Film

    Let’s get this straight: Peaky Blinders is not Boardwalk Empire. It’s a post World War I gangster drama, during roughly the same time period (1919 as opposed to the early 20’s), it’s gritty, features loyal yet warring brothers, is as cool as ice chips and doesn’t pull any punches. However Boardwalk Empire is set in the attractive seaside landscape of Atlantic City, USA, while Peaky Blinders is set in Birmingham. The whole palette is different too. Boardwalk is colourful and vibrant, Peaky is dark and dingy. Evidently this extends to the clothes. You wouldn’t have got far walking around Birmingham in an orange silk shirt and camel coat; this was…

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    Costume Stories, This Week: Edith Head and Ender's Game | Clothes on Film – Part 33436

    Costume news you may have missed. Edith Head Google’s delightful doodle to celebrate the birth of Edith Head on 28th October 1897, showcasing illustrations of her work from A Place in the Sun, White Christmas, Sex and the Single Girl, To Catch a Thief, The Birds and Gunfight at the O.K. Corral. The Hunger Games: Catching Fire Costume preview via Trish Summerville and The New York Times – no spoilers. Look out for our own coverage soon. Julien’s Auctions The estate of William Travilla. Get your credit card(s) ready. Columbo New costume Tumblr by Nicolas Magand. Mark this as essential reading forever. Duck Dynasty Well what did YOU wear for…

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    The Tourist: Colleen Atwood Talks Exclusively About Costumes | Clothes on Film – Part 17949

    For contemporary set spy thriller The Tourist starring Angelina Jolie and Johnny Depp, Oscar winning costume designer Colleen Atwood took a break from historical and fantasy to create a modern yet playfully retro collection of gorgeous gowns and impeccable suits. We asked her a few questions about the film’s lavish look and how it evolves throughout. Playing classy mystery woman Elise Ward, Angelina Jolie dons twelve outfits in total, most created from the ground up by Colleen Atwood and inspired by current or vintage pieces. The soft, fitted grey dress she wears was actually a Charles James original. Her shoes, towering heels mostly, were all Salvatore Ferragamo. Floor length in…

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    Coming to America: Prints & Turbans in Contemporary Fashion | Clothes on Film – Part 19338

    Spring. It’s long overdue and so is spring fashion. While winter clothes inspired by trends of 2010 fall collections are still prevalent, stores are piling up with spring lines that were on runways during September. Two attention grabbing trends in women’s fashion this upcoming season are prints and turbans, empathised in hit 1988 comedy Coming to America (directed by John Landis). U.S. Vogue currently features seven designers with their 2011 Spring/Summer Ready-to-Wear collections, referring to them as the “American All-Stars” of New York fashion in a spread entitled ‘Gangs of New York’. Rodarte, by Kate and Laura Mulleavey, who have made Vogue’s top ten season after season, are among the…

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    Style Icon of the Season: Cousin Eddie in Christmas Vacation | Clothes on Film – Part 33857

    He is the whitest of the white trash, the kind of man who dumps raw sewage in a storm drain and kidnaps your boss as a Christmas present. And the only man to ever combine a leather belt with a bathrobe. Randy Quaid has played lovable moocher ‘Cousin Eddie’ in four separate National Lampoon films, but his most famous performance still resides at yuletide. National Lampoon’s Christmas Vacation (1989, directed by Jeremiah C. Chechik) has weathered years of apathy to become something of a seasonal favourite. Watching Chevy Chase’s bipolar family man Clark Griswold lose his rag every December is now a festive tradition . Yet Clark is not really…

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    Sandra Dee in If A Man Answers: A Salmon Run Up Beacon Hill | Clothes on Film – Part 28174

    Producer Ross Hunter’s 1962 film If A Man Answers (directed by Henry Levin) is a sweet, silly and lighthearted romantic comedy featuring Sandra Dee and Bobby Darin. Sandra is Chantal Stacy, daughter of Boston businessman John Stacy (John Lund) and former Folies Bergere burlesque dancer and professional Frenchwoman Germaine Stacy (Micheline Presle). The film focuses on Chantal’s negotiation between the Boston practicality and the French passionate nature that runs through her genetic line. Bobby Darin, as fashion photographer Eugene Wright (“Mr. Wright”), finds himself in the middle of this mess as Chantal’s willing romantic victim. Chantal’s first scene in the Stacy master bedroom after returning from a date features Dee…

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    The Fortune: Costume Guide – Dressing Soft For Murder | Clothes on Film – Part 7925

    The Fortune (1975, directed by Mike Nichols) starring Warren Beatty, Jack Nicholson and Stockard Channing has been unfairly judged as a madcap mess. Actually it is a slickly made screwball comedy, nowhere deserving of its turkey reputation. Costume designer Anthea Sylbert was responsible for recreating the story’s 1920s setting, an era as eclectic as it was revolutionary; as such The Fortune is as pleasing to the eye as it is funny. Sylbert worked The Fortune back to back with Chinatown (1974) and Shampoo (1975). Chinatown also starred Nicholson but was a different setting (thirties) and, for his character especially, a very different look. Shampoo was Warren Beatty’s picture; he was…