Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 29, 2009 Produced by acclaimed filmmaker David Puttnam, The Mission (1986) is an epic 18th century set tale of Spanish Jesuits that travel into the South American jungle to protect an Indian tribe from virtual extinction under the Treaty of Madrid (the formation of what we now call Brazil). Jeremy Irons plays one of these adventurous Jesuit priests, tough but mild mannered Father Gabriel. During the film’s first act, as Gabriel undertakes a death defying waterfall climb to reach the Indian tribe, he wears a classic example of early extreme sports attire – a plain linen shirt: Natural linen open-neck shirt with long sleeves.…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More… Posted by Chris Laverty on September 11, 2009 Costume designers face a quandary: keep contemporary set films up to date, but ensure that they do not appear hideously outmoded in the future. In short they…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More…

Posted by Chris Laverty on October 13, 2009 Featuring couture as cool and disaffecting its protagonist, Belle de Jour (1967, directed by Luis Buñuel) has much to say through its ambiguous antiplot narrative and can be read effectively through costume. Catherine Deneuve plays Séverine, a bourgeois housewife unable to commit sexually to her husband Pierre (Jean Sorel). Instead she fulfils her sadomasochistic fantasies by becoming prostitute ‘Belle de jour’ at an intimately run brothel. More… Posted by Chris Laverty on September 15, 2009 Ghostbusters (1987) is perhaps best known as the first ever big budget FX comedy and not for making any serious style statements. Yet tucked amongst the fluffy…