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    Penelope Beech | Clothes on Film

    Recently we were fortunate enough to get our hands on Amber Jane Butchart’s new book, her ‘Fashion Miscellany’, which has just been published by The IIex Press. If you don’t already know, Amber is a contributor to Clothes on Film and will soon be teaming up with editor Christopher Laverty for an evening of Jazz Era discussion at the British Library. Her book, by the way, is flippin’ brilliant. If you care even slightly about what we wear and why, AJBFM is an indispensable purchase. The layout of it is simple enough. It’s basically designed as a dip-in-and-out for research, or whenever you fancy a flick though. We’d call this…

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    Tyler Durden | Clothes on Film

    He is the whitest of the white trash, the kind of man who dumps raw sewage in a storm drain and kidnaps your boss as a Christmas present. And the only man to ever combine a leather belt with a bathrobe. Randy Quaid has played lovable moocher ‘Cousin Eddie’ in four separate National Lampoon films, but his most famous performance still resides at yuletide. National Lampoon’s Christmas Vacation (1989, directed by Jeremiah C. Chechik) has weathered years of apathy to become something of a seasonal favourite. Watching Chevy Chase’s bipolar family man Clark Griswold lose his rag every December is now a festive tradition . Yet Clark is not really…

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    rollneck | Clothes on Film

    The Levi jacket worn by Ken Takakura as Ken Tanaka in Japan set thriller The Yakuza (1974, costume design by Dorothy Jeakins) is not Japanese denim. It was not made in Japan but is nonetheless representative of a time when denim as symbol of burgeoning Americana in the East would take off into the stratosphere, and has remained so ever since. Although Levi products were imported into Japan before the 1970s (Levi International was created in 1965), it was not until mid-decade that a Tokyo office was established. This was in response to growing popularity of all things American in Japan, especially denim and especially Levi. There was no single……

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    Qui Êtes-Vous | Clothes on Film

    Recently we were fortunate enough to get our hands on Amber Jane Butchart’s new book, her ‘Fashion Miscellany’, which has just been published by The IIex Press. If you don’t already know, Amber is a contributor to Clothes on Film and will soon be teaming up with editor Christopher Laverty for an evening of Jazz Era discussion at the British Library. Her book, by the way, is flippin’ brilliant. If you care even slightly about what we wear and why, AJBFM is an indispensable purchase. The layout of it is simple enough. It’s basically designed as a dip-in-and-out for research, or whenever you fancy a flick though. We’d call this……

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    Review: Captain America: The First Avenger | Clothes on Film – Part 21464

    Directed By: Joe Johnston Starring: Chris Evans, Hayley Atwell, Hugo Weaving Old school, Saturday matinee fun, Captain America: The First Avenger is director Joe Johnston’s best since The Rocketeer (1991) and features some of the finest superhero genre costume design ever committed to film. The assured skill of designer Anna B. Sheppard brings The First Avenger alive, blending potentially high camp ensembles into a believable story environment; one that is essentially a fantasy parallel of our own. It is childish and fun, but with a serious dramatic core at its heart. The 1940s backdrop is rich with costume and production design motifs; muted sepia with flashes of patriotic colour. Captain…

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    robe | Clothes on Film

    There is little point in Clothes on Film delving too deeply into the first trailer for director J.J. Abrams’ Star Wars sequel The Force Awakens, mainly because it is just so much speculation at the moment, which of course is part of the fun, but also because there are far smarter (or more interested) minds on the Internet who will do a better job. That said how can you watch that trailer and not have an opinion? So here are ours, and with no contribution whatsoever from Star Wars VII costume designer Michael Kaplan. If he told us anything at this stage he would be thrown in the Sarlacc pit……

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    Black Swan | Clothes on Film

    Must admit, we kind of saw this one coming. The Hunger Games: Catching Fire costume designer Trish Summerville has teamed up with online fashion retailer Net-a-Porter to produce 16 ready-to-wear outfits, leather goods and jewellery tied into the film. These ensembles will available exclusively at Net-a-Porter while being simultaneously promoted through Lionsgate’s Capital Couture website. Summerville, recently honoured as Costume Designer of the Year at the 10th Annual Style Awards, commented she’s “extremely proud of the designs that we created for The Hunger Games: Catching Fire and there’s no partner more appropriate for Capitol Couture than the world’s most cutting-edge luxury retailer”. If anyone can make such a collection work,……

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    sweaters | Clothes on Film

    Amelia Earhart was known for her modernistic sense of style throughout the 1920s-early 1930s. Lord Christopher Laverty Comments Off on Trailer for Amelia Touches Down: Radical Fashions 1920s-30s 1 Apr ’14 25 Nov ’11 20 May ’13